Review: Yeezus by DJ Knife & tha DEAFWISH Dept of Science & Booooze

Review: Yeezus by DJ Knife & tha DEAFWISH Dept of Science & Booooze

Scientific Review of Yeezus

DJ Knife & R department of Science & shi~ is proud to prezent you with “Yeezus” 100% Unplagiarized Review………….

On the release of his 6th studio album “Yeezus”, numerous studies were conducted upon patients in terminal paresis (GPI), placing Kanye West in a series of simulated auto crashes, e.g. multiple pileups, head-on collisions, freeway attacks (fantasies of unsolved murders of rappers remained a continuing preoccupation, subject showing a marked polymorphic fixation on windshields and rear trunk assemblies). Powerful erotic fantasies of an anal-sadistic surrounded the image of the recording artist.

Subjects were required to construct the optimum auto disaster victim by placing a replica of Kanye West’s head on the unretouched photographs of crash fatalities.

1. “On Sight”

In 82% of cases massive rear-end collisions were selected with a preference for expressed fecal matter and rectal hemorrhages. Further tests were conducted to define the optimum model-year. These indicate that a three year model lapse with child victims provide the maximum audience excitation (confirmed by manufacturers’ studies of the optimum auto disaster). It is hoped to construct a rectal modulous of Kanye West and the auto disaster of maximized audience arousal.

2. “Black Skinhead”

Youtube studies of Kanye West reveal characteristic patterns of facial tones and musculature associated with homoerotic behavior. The continuing tension of buccal sphincters and the recessive tongue role tally with earlier studies of facial rigidity (cf., Jay-Z, 50 Cent). Slow-motion videos of performances exercised a marked erotic effect upon an audience of retarded children. Even with mature adults the verbal material was found to have a minimal effect, as demonstrated by substitution of an edited tape giving diametrically opposed opinions…

3. “I Am a God” (featuring God)

Patients were provided with assembly kit photographs of sexual partners during intercourse. In each case Kanye West’s face was superimposed upon the original partner. Vaginal intercourse with “Kanye” proved uniformly disappointing, producing orgasm in 2% of subjects.

4. “New Slaves”

Axillary, buccal, navel, aural, and orbital modes produced proximal erections. The preferred mode of entry overwhelmingly proved to be the rectal. After a preliminary course in anatomy it was found that the caecum and transverse colon also provided excellent sites for excitation. In an extreme 12% of cases, the simulated anus of post-costolomy surgery generated spontaneous orgasm in 98% of penetrations. Multiple-track videos were constructed of “Kanye” in intercourse during (a) performances, (b) rear-end auto collisions with one and three year model changes, (c) with rear exhaust assemblies…

5. “Hold My Liquor”

The genitalia of the recording artist exercised a continuing fascination. A series of imaginary genitalia were constructed using (a) the mouth parts of Jay-Z, (b) a Maybach, (c) the assembly kid prepuce of Gucci Mane…In 89% of cases, the constructed genitalia generated a high incidence of self-induced orgasm. Tests indicate the masturbatory nature of the recording artist’s posture. Dolls consisting of plastic models of Kanye West’s alternate genitalia were found to have a disturbing effect on deprived children.

6. “I’m in It”

Studies were conducted on the marked fascination exercised by the recording artist’s hairstyle. 65% of male subjects made positive connections between the hairstyle and their own pubic hair. A series of optimum hairstyles were constructed.

7. “Blood on the Leaves”

Fragments of Kanye West’s recorded performance postures were used in the construction of model psychodramas in which the Kanye-figure played the role of husband, doctor, insurance salesman, marriage counselor, etc.

The failure of these roles to express any meaning reveals the nonfunctional character of Kanye West. Kanye West’s success therefore indicates society’s periodic need to re-conceptualize its celebrities. West thus appears as a series of posture concepts, basic equations which reformulate the roles of aggression and anality.

8. “Guilt Trip”

The profound anality of the recording artist may be expected to dominate the United States in the coming years. By contrast the late Tupac Shakur remained the prototype of the oral subject, usually conceived in pre-pubertal terms.

9. “Send It Up”

In further studies sadistic psychopaths were given the task of devising sex fantasies involving Kanye West. Results confirm the probability of recording artists being perceived primarily in genital terms; the face of Jay-Z is clearly genital in significant appearance – the nasal prepuce, scrotal jaw, etc. Faces were seen as either circumcised (Rick Ross, Lil Wayne) or uncircumcised (Jay-Z, Chief Keef).

10. “Bound 2”

In assembly-kit tests Kanye West’s face was uniformly perceived as a penile erection.

Patients were encouraged to devise the optimum sex-death of Kanye West.

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